City Opera E-News / March 2018
Introducing Jeremy Stewart
We welcome Jeremy Stewart as our new General Manager.
Jeremy's management and fundraising experience includes work with Theatre North West, and service as General Manager of the Prince George Symphony Orchestra. In 2013 he founded Casse-Tête, an annual festival of experimental music held in Prince George, for which he received the inaugural Barbara Pentland Award for Distinguished Contribution to Canadian Music from the Canadian Music Centre.
Stewart is also the author of two trade collections of poetry: (flood basement (Caitlin Press 2009) and Hidden City (Invisible Publishing 2014), which won the Robert Kroetsch Award for Innovative Poetry. Jeremy holds a Master of Arts in English from the University of Northern British Columbia.
We thank our first general manager, Cathleen Gingrich, for getting us on track, and our interim general manager, Diane Tucker, for keeping us on track. Diane, an attorney, remains our Privacy Officer.
Nigredo Hotel stars Sarah Vardy and Tyler Duncan
In September we give the Vancouver premiere of the legendary Nigredo Hotel – a bizarre, macabre and astonishing operatic thriller. It is unlike anything we have done before. Tickets on sale after 15 June.
Nigredo Hotel tells of an encounter between a beautiful but crazed woman who runs a shoddy hotel, and a brain surgeon who takes refuge there after he crashes his car.
Raymond and Sophie are two of the most unusual characters in 20th C opera: brilliant, dazed, lonely, each possessing great insight into the other but little into themselves, sarcastic and corrosive, funny and combative, dazzling and daring, lunatic and often lovely. These are two remarkable roles, telling three remarkable stories: hers, his, and theirs. You can't imagine what happens next.
Starring Sarah Vardy as Sophie
Well known to Vancouver and Victoria audiences, acclaimed for her “emotional yet unaffected quality of performance, with true clear voice”, soprano Sarah Vardy has impressed and delighted audiences across Canada, Europe, Mexico, and China. “She stands out wherever she sings, with a combination of vocal passion and rich characterization and musicality”. Her European debut of Tosca was “Victorious” and she continues to “convey deep emotion and rich and unique vocal tones.” Performing opera, oratorio, small and large concerts, Ms Vardy has sung with the Opera Wroclawska (Poland), Regina Symphony Orchestra, Saskatoon Symphony, Highlands Opera Studio, Calgary Concert Opera, Saskatoon Opera, Pacific Opera (Victoria), City Opera Vancouver, and members of the Victoria Symphony.
She has performed La Gioconda with Calgary Concert Opera. This season she sings Mendelssohn’s Elijah and Mozart’s Requiem, and performs various opera works in two concerts for the Mexican community Los Cabos. Ms Vardy debuted the role of Eva Johnson in Pauline by Margaret Atwood and Tobin Stokes, described by Opera Canada as “sung with catty, self-righteous intensity -- just what the part needed”.
Starring Tyler Duncan as Raymond
Long a Vancouver favourite son, baritone Tyler Duncan recently performed at the Metropolitan Opera as Prince Yamadori in Puccini’s Madama Butterfly. At the Spoleto Festival he debuted as Mr. Friendly in the 18th-century ballad opera Flora, returning the next season as the Speaker in Mozart’s The Magic Flute. Other appearances have included the role of the Journalist in Berg's Lulu and Fiorello in Rossini's Barber of Seville, both at the Metropolitan Opera, Raymondo in Handel’s Almira with the Boston Early Music Festival, Dandini in Rossini’s La Cenerentola with Pacific Opera Victoria, and Demetrius in Britten’s A Midsummer Night’s Dream at the Princeton Festival.
Mr. Duncan’s concerts include Mahler’s 8th Symphony with the American Symphony Orchestra and the Toronto Symphony, Berlioz’s L’enfance du Christ with the Montreal Symphony; both Bach and Mendelssohn’s Magnificat with the New York Philharmonic; Bach’s St Matthew Passion with the Munich Bach Choir, Montreal Symphony, and the Oregon Bach Festival; Haydn’s The Creation with the Québec, Montreal, and Winnipeg symphony orchestras; Beethoven’s Ninth Symphony with the Calgary Philharmonic and Philharmonie der Nationen in Munich, Berlin, Stuttgart, and Frankfurt; Haydn’s The Seasons with the Calgary Philharmonic; Handel’s Messiah with Tafelmusik, the Montreal and Toronto Symphony Orchestras, Handel and Haydn Society, San Francisco’s Philharmonia Baroque, and Portland Baroque; and Mozart’s Requiem with the Montreal, Toronto, and Salt Lake City orchestras. Tyler’s performance in Nigredo Hotel marks his City Opera Vancouver debut.
Stage Direction by Alan Corbishley
Music Direction by Charles Barber
Lighting and Set Design by John Webber
Coming to The Cultch on 20, 21, and 22 September 2018, all at 8pm.
Missing is the cover story in the February 2018
issue of Opera Canada magazine.
As well as commissioning new chamber opera, and giving mainstage productions, City Opera presents concerts and special events year round. With new support from CREATIVE BC, the Province of British Columbia, and Metro Vancouver, we are expanding the series.
- on 20 April, 7pm at the Strathcona Community Association
- on 21 June, 26 July, and 30 August, 7pm on the piazza at Il Centro
- on 13 September, 8pm at the Canadian Music Centre
- on 14 October, 3pm at Famee Furlane
with many more to come. Please join us. Our thanks to Curator Alan Corbishley.
The People of City Opera: Derwyn Lea, bookkeeper
City Opera is blessed with extraordinary volunteers. They serve on our Board, our committees, our outreach projects, and backstage at our concerts, special events, and mainstage productions. Their good work and good will is essential to us.
Derwyn Lea is a Professional Engineer, now retired from a career as project director of “big industrial stuff”. He has been passionate about music ever since singing bass in his first Messiah at 16 years of age. Extracurricular activities have included membership in several fine choirs over the years (but no opera). Other passions include a life on the water – owning sailing vessels for 30 years and latterly power boats for eight years. Whichever boat of the day enables Derwyn and Janet to access their beloved cabin – another passion - on DeCourcy Island (some of you will have heard of this small Gulf Island?).
Derwyn has enjoyed pro bono (Board) work off and on for many years – mostly for arts organizations. His most recent foray was a six-year stint on the Executive of Eagle Harbour Yacht Club, culminating in the rewarding position of Commodore in 2017. After several treasurer positions in the past, Derwyn recently adopted the mantra “just say no to financial roles”. That proved successful - until now! Ah well – the things one does for love…
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PREV: ← City Opera News / 15 December 2017